Lehmann Maupin

The New Yorker: Teresita Fernández's Shifting Sculptural Landscapes

Critic Hilton Als covers Fernández's exhibition of new works at Lehmann Maupin New York for The New Yorker.

Financial Times: Harlem Detritus Turned Into Supermassive Sculptures

Critic Charlotte Jansen reviews Nari Ward's expansive retrospective exhibition Ground Break, on view at Pirelli HangarBicocca in Milan.

The New Yorker: Catherine Opie's Walls, Windows and Blood

New Yorker critic Jackson Arn reviews Opie's newest body of work, currently on view in New York.

Frieze: Nari Ward’s Spiritual Alchemy

The artist discusses how his sculptural practice is grounded in the invisible with long-time friend and collaborator LeRonn P. Brooks

Financial Times: Lehmann Maupin to Open Pop-up in Milan this Spring

The gallery will have a pop-up space in Milan from April 12 to June 21, housed at Circolo, a non-profit owned by the architect-collector Nicole Saikalis Bay.

ARTnews: Lehmann Maupin, Kukje Gallery to Represent Octogenarian Korean Sculptor Kim Yun Shin

Lehmann Maupin and Seoul’s Kukje Gallery will jointly represent Kim Yun Shin, who is is regarded as one of the first women to formally train as a sculptor in Korea.

The New York Times: Tammy Nguyen, Maximalist at Play

In paintings and handcrafted books, the artist layers lush themes from Ralph Waldo Emerson to Vietnamese history, and explores our relationship to nature.

The New York Times: Met Announces 2024 Art Commissions, Including Lee Bul, Sculptor of Cyborgs

Lee, of South Korea, will transform the facade.